Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment. Photograph: Paglen Studio/Trevor Paglen, courtesy the artist and Pace Gallery But he is just showing the truth. The works in this exhibition seek to provide a small glimpse into the workings of platforms that track faces, nature, and human behaviour, and into the underlying data that structures how machines ‘perceive’ humans and landscapes. Another component of the exhibition is an interactive live-stream titled Octopus, allowing anyone with a webcam to see the exhibition space from different camera angles and, at the same time, broadcast themselves to monitors in the gallery.In a video-conference panel in late October hosted by the gallery, Paglen said about this piece: "I was thinking about Zoom calls and … Employing a variety of disciplines throughout his oeuvre, from investigative journalism to scientific research, the exhibition will feature new sculptures, photographs, drawings, and digital components that relate to corporate and state use of machine learning algorithms to monitor, extract value, and influence people’s lives. September 10 – November 10, 2020. In Bloom, which opens September 10 at Pace, two sculptures demonstrate the discriminatory history of facial recognition technologies. As art spaces continue to grapple with visitor access in a post-COVID era, Paglen’s new work offers a new perspective on virtual engagement in the gallery space. The world is a messy place. Trevor Paglen: Bloom, September 10, 2020 - November 10, 2020 at Pace Gallery, London, United Kingdom Simultaneously, participants “visiting” the show via livestream are also present in the gallery, as visitors are given the option to stream their personal webcams into the gallery space on monitors. It will coincide with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (4th September 2020 – 14th March 2021) and at OGR Turin (10th October 2020 – 10th January 2021). In this new reality, the digital and the virtual make it possible to continue to keep business moving, to socialize, and to participate. The dataset for Distracted Drivers, for example, is a collection of images used to recognise if someone is distracted while driving by an AI system. Upon closer inspection, the colours separate, and individual lines of text pulled from email spam emerge from their abstraction. Dialoguing with The Standard Head is The Model (Personality), a plated bronze phrenology skull derived from the current categories that are used in predictive policing and sentencing algorithms that intend to gauge someone’s level of criminality by measuring their psychological attributes and behaviours. Not all of Bledsoe's work has been uncovered, so the remaining head data - as it were - has been filled in by AI software. Trevor Paglen, Octopus (2020), via Pace Taking over the Pace Gallery space at 6 Burlington Gardens in London, artist Trevor Paglen opens a show that seeks to find a shared physical and digital space, mining the artist’s long engagement with technology and aesthetics to present a set of new works that explore the society-shaping power of computing, and the massive troves of … Contact the gallery for current visiting protocol. The sprays of blossoms are tinted different colors in variegated sections, a slightly nauseating spectrum of reds, yellows, blues, and purples. Pace Gallery. 16.00 BST (on Zoom). Bloom Trevor Paglen / Bloom 10.09.20 - 04.11.20. An artist and author of numerous books and articles, Trevor Paglen uses special equipment to photograph sites of secret government activity, or “black sites,” including the Tonopah Test … Closed. Bloom (#5f5554), 2020. Highlights of the exhibition will include Bloom, a series of large-scale photographs that depict flower formations conceptualized by various computer vision algorithms created to analyse the constituent parts of real-life photographs. Open through November 10 both in-person and online, “Bloom” features pieces The Standard Head, which reconstructs CIA agent Woody Bledsoe’s 1960s equation for the typical human head.In ImageNet Roulette, Paglen explores a facial recognition system called ImageNet, which has been found to classify imagery through a lens of racist, misogynistic, and controversial … Trevor Paglen, Bloom (#5f5554), 2020, dye sublimation print, 69" × 92" (175.3 cm × 233.7 cm) 70-1/8" × 93-1/8" × 2" (178.1 cm × 236.5 cm × 5.1 cm), framed "Computer vision and artificial intelligence have become ubiquitous. Airlines and Sentiments and The Disasters feature lines of texts culled from datasets that AI developers employ to teach computer systems to analyse and emotionally interpret the content of online communications. Trevor Paglen. In a complex body of work that encompasses sculpture, photography, drawings and digital practices like facial recognition technology and AI, Trevor Paglen interrogates the systems that underpin today’s society. Embedded in the work is a critical dialogue on the nature of how we use media and technology and how it impacts the way we see and are seen. Highlights of the exhibition will include Bloom, a series of large-scale photographs that depict flower formations conceptualized by various computer vision algorithms created to analyse the constituent parts of real-life photographs. Centre-stage is The Standard Head, a large-scale reconstruction of 1960s pioneer CIA agent Woody Bledsoe’s mathematical model of a “standard head”, which Paglen has re-constructed from information in Bledsoe’s archive at the University of Texas. Open through November 10 both in-person and online, “Bloom” features pieces The Standard Head, which reconstructs CIA agent Woody Bledsoe’s 1960s equation for the typical human head.In ImageNet Roulette, Paglen explores a facial recognition system called ImageNet, which has been found to classify imagery through a lens of racist, misogynistic, and controversial profiling. “Computer vision and artificial intelligence have become ubiquitous,” says Paglen. The world is a messy place. Mark Westall is the Founder and Editor of FAD magazineFounder and co-publisher Art of Conversation and founder of the platform @worldoffad, Obvious and RAWS have collaborated on a new artwork Parietal Burner #1 using cave paintings from Lascaux: The artwork is […]. But after Covid-19 remade the world, the show had to change. Artificial intelligence algorithms are designed and trained to look for faces, unique key points, lines, circles, and areas of interest as they attempt to deconstruct the underlying reality into a more simplified series of sections or shapes. These flower formations have been imagined by various computer vision algorithms created to analyse the constituent parts of real-life photographs. Trevor Paglen Bloom Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. Held both at 6 Burlington Gardens and on the gallery’s digital platform, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Trevor Paglen: Bloom Pace Gallery’s second exhibition with Trevor Paglen coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (4th September 2020 – 14th March 2021) and at OGR Turin (10th October 2020 – 10th January 2021). From close-ups of individual artworks at unexpected angles to wide frames of the room that allow online participants to watch visitors seeing the work in person, the view of the exhibition via webcam offers an uncanny experience between observation and surveillance. Paglen’s latest solo exhibition, at Pace in London, is aptly titled “Bloom.” It features several large-scale photographs of flower formations, a nod to the … This is Pace’s second exhibition with the artist. When a member of the public’s image is captured by a camera and simultaneously projected on the gallery video monitor, the AI model categorises them according to the dataset. Mourning, sadness, and fragility underlie Trevor Paglen’s exhibition Bloom, on show at Pace Gallery, London, until 10 November 2020. En Liang Khong Features 10 September 2020 ArtReview. “The works in this exhibition seek to provide a small glimpse into the workings of platforms that track faces, nature, and human behaviour, and into the underlying data that structures how machines ‘perceive’ humans and landscapes. Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment. – Trevor Paglen, June 2020. ImageNet Roulette is an interactive artwork that classifies people’s digitally-captured portraits according to one of the most widely-used datasets used for training and evaluating computer vision systems. A moment in which we’ve spent much of the year huddled at home with social communications reduced to awkward interactions on technological platforms designed … Trevor Paglen Bloom (#a8866d), 2020 Dye sublimation print 137.2 x 102.9 cm Pace Gallery. Trevor Paglen begins to unravel these complexities by making the invisible visible through art. Trevor Paglen is known for investigating the invisible through the visible, with a wide-reaching approach that spans image-making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. Trevor Paglen A Prison Without Guards (Corpus: Eye-Machines) Adversarially Evolved Hallucination, 2017 Dye sublimation metal print 81.3 x 101.6 cm Metro Pictures Contact Gallery. As a multidisciplinary grant-maker, the Center invests in cultural projects and practitioners, on a mission to enhance public life in the Greater Philadelphia area. Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment.A moment that's exposed an intense awareness of the fragility of our lives, cities, and economic and political institutions. Computing systems that collect, interpret and operationalize data that defines and tracks identity, movement, and habits fuel the artist’s broad practice. The exhibition follows Paglen’s installation From ‘Apple’ to ‘Anomaly’, presented at the Barbican Curve from September 2019 to February 2020, and Training Humans, an exhibition of Paglen’s works with Kate Crawford presented at the Prada Foundation, Milan from September 2019 to February 2020. Our website uses cookies to improve your user experience. works explore Paglen’s central themes of artificial intelligence, the politics of images, fa-cial recognition technologies, and alternative futures. The colours and shapes in the images represent similar areas that the AI has detected in learning from other images of flowers. Through image making, sculpture, investigative journalism, writing and more, he reveals the darker underpinnings of the digital landscape – from mass surveillance to data collection and AI. From a distance, these works give the appearances of subtle lines of colour fields reminiscent of Agnes Martin’s abstract paintings. Since 2005, the Pew Center for Arts and Heritage has awarded more than $143 million in grants, funded over 1,400 projects, and supported 352 individual artists via annual Pew Fellowships. Trevor Paglen NSA Surveillance Base, Egelsbach, Germany, 2015 C-print 91.4 x 139.7 cm Metro Pictures Contact Gallery. The world has become too complex and too fragmented for any human to fully comprehend it. Trevor Paglen: Bloom. Share; Tweet; Advertisement. Technology is seductive. Uldalen, BREAKING An installation online by Richard Ducker & Robert Good. The world has become too complex and too fragmented for any human to fully comprehend it. The clandestine and the hidden are revealed in series such as The Black Sites, The Other Night Sky, and Limit Telephotography in which the limits of vision are explored through the histories of landscape photography, abstraction, Romanticism, and technology. Marc Glimcher, President and CEO of Pace Gallery, today announced plans to expand the business’s presence in London with a new 8,600-sq-ft location at 4 Hanover Square. Related articles. Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. Artist Peter Doig is collaborating with Kim Jones for Dior Men FW21, See You Tomorrow – MA Art and Science Open Studio, Central Saint Martins, UAL, Wandering Intuition, a solo exhibition by leading figurative artist Henrik Aa. Artist Trevor Paglen discusses why AI image datasets are problematic, and why he’s turning the lens on the public in Bloom, his new show at Pace, London. Sort: Trevor Paglen. 1974, Camp Springs, MD) is known for investigating the invisible through the visible, with a wide-reaching approach that spans image-making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. More info. Bloom. If you continue browsing, we assume that you consent to our use of cookies. Held both at 6 Burlington Gardens and on the gallery’s digital platform, Bloom is being presented from 10 September to 10 November 2020 and explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. A moment that's exposed an intense awareness of the fragility of our lives, cities, and economic and political institutions. … In this new work, I am interested in exploring the numerous examples of computer training sets creating AIs that reflect and perpetuate unacknowledged forms of racism, patriarchy, and class division that characterise so much of society.”. A moment that's exposed an intense awareness of the fragility of our lives, cities, and economic and political institutions. Trevor Paglen's complex and pioneering work examines the systems and technologies that shape society. Among his chief concerns are learning how to see the historical moment we live in and developing the means to imagine alternative futures. Trevor Paglen: Bloom Pace Gallery’s second exhibition with Trevor Paglen coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (4th September 2020 – 14th March 2021) and at OGR Turin (10th October 2020 – 10th January 2021). Paglen's complex and pioneering work examines the systems and technologies that shape society. LONDON.- Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. ‘What is that really?’ is often a sensible question once you’re used to the tricky ways of artists. – Trevor Paglen, June 2020. At 6 Burlington Gardens until 10th November, and on the gallery’s digital platform, We disregard the future. The works in Bloom recall the vanitas tradition in art, in which symbolic objects such as skulls, flowers, and books remind us of mortality, the fragility of life, and the vanity of worldly pleasures. Trevor Paglen Accompanying the Bloom works is a large-scale reconstruction of a "standard head" - a mathematical model developed by CIA agent Woody Bledsoe in the 1960s. – Trevor Paglen, June 2020. Four current shows are evidence. In his new body of work, Bloom, themes of surveillance, observation and imperfect algorithms are explored within the context of mourning and the fragility of life. Trevor Paglen’s recent body of work, called “Bloom,” is rooted in his investigations of technology and machine learning and functions symbolically as a meditation on life and death inspired by the artist’s pandemic experience. In February this year, Trevor Paglen thought he had finished preparing his exhibition, Bloom, showing at Pace Gallery in London (10 September–10 November 2020). Conceived from the average measurements of the faces Bledsoe experimented with, Paglen reconstructed the “standard head” from rare information left behind in Bledsoe’s archives at the University of Texas. Pace London Burlington Gardens, 6 Burlington Gardens Held both at 6 Burlington Gardens and online, “Bloom” features the complex and pioneering work by Trevor Paglen, revolving around current themes such as the politics of images, facial recognition … Pace Gallery re-opens its London gallery with American artist Trevor Paglen and the exhibition "Bloom" which explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Trevor Paglen (b. Our website uses cookies to improve your user experience. Paglen’s complex and pioneering work examines the systems and technologies that shape society. A new body of work by the interdisciplinary artist and technology activist Trevor Paglen—on view at Pace Gallery’s London venue, ... Related Articles “Bloom” is a series of high-resolution photographs of flowering trees. 1974) is an American artist examining the systems and technologies that shape our world. Together, the works in the exhibition recall the “Vanitas” tradition in art, in which symbolic objects such as skulls, flowers, and books remind us of mortality, the fragility of life, and the vanity of worldly pleasures. coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (Sep 4, 2020 – Mar 14, 2021) and at OGR Turin (Oct 10, 2020 – Jan 10, 2021). Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment.A moment that's exposed an intense awareness of the fragility of our lives, cities, and economic and political institutions. Taking centre stage in the exhibition is The Standard Head, a large-scale reconstruction of 1960s pioneer CIA agent Woody Bledsoe’s mathematical model of a “standard head”. Opposing Geometries, at Carnegie Museum of Art, Pittsburgh, is on view from 4 September to 14 March. Bloom (#a5808a), 2020. Highlights of the exhibition will include Bloom, a series of large-scale photographs that depict flower formations conceptualized by various computer vision algorithms created to analyse the constituent parts of real-life photographs. Trevor Paglen: Bloom; until 10th November 2020; Pace Gallery, 6 Burlington Gardens, W1. Trevor Paglen’s complex and pioneering work examines the systems and technologies that shape society. Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment. Trevor Paglen (b. Held both at 6 Burlington Gardens and on the gallery’s digital platform, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Pace London is pleased to return to its physical space with an exhibition of new works by American artist Trevor Paglen. With Bloom, Trevor Paglen collapses distinctions between the real and virtual, laying bare the prejudices embedded in supposedly objective artificial intelligence systems.Paglen has made a career of visualizing the invisible power structures and systems which govern contemporary society. A moment in which we’ve spent much of the year huddled at home with social communications reduced to awkward interactions on technological platforms designed … Paglen recalls feeling “hyper-aware” on his daily walks during lockdown of the visual signifiers of winter turning to spring—the bloom of nature, as humanity remained confined indoors. In this new work, I am interested in exploring the numerous examples of computer training sets creating AIs that reflect and perpetuate unacknowledged forms of racism, patriarchy, and class division that charac-terise so much of society.”. Paglen’s investigation into the epistemology of representation can be seen in his Symbology and Code Names series which utilize text, video, object, and image to explore questions surrounding military culture and language. These simple truths resonate through Trevor Paglen’s works. ... “Bloom” is a series of high-resolution photographs of flowering trees. Trevor Paglen The Disasters, 2020 pigment print 147.3 cm × 147.3 cm (58″ × 58″) © Trevor Paglen, courtesy the artist and Pace Gallery. Distracted Drivers and Classifications of Gait showcase grids composed of thousands of smaller images used to evaluate people’s behaviours for commercial purposes. The project is a provocation, acting as a window into some of the racist, misogynistic, cruel, non-scientific, controversial, and simply absurd categorisations embedded within ImageNet and other training sets that AI models are built upon, Trevor Paglen Bloom (#a5808a), 2020 dye sublimation print 137.2 cm × 102.9 cm (54″ × 40-1/2″) © Trevor Paglen, courtesy the artist and Pace Gallery, Trevor Paglen Bloom Sep 10th –Nov 10th, 2020 Pace London pacegallery.com. Called ImageNet, the dataset is used to teach artificial intelligence systems how to classify images, and was developed at Princeton and Stanford Universities in 2009. Pictures and details of Trevor Paglen: Bloom at Pace, Burlington Gardens, London, September 10 - November 10, 2020 - Contemporary art with installation views Trevor Paglen: Bloom +44 20 3206 7600 Open: temporary closure Through image making, sculpture, investigative journalism, writing and more, he reveals the darker underpinnings of the digital landscape – from mass surveillance to data collection and AI. Not all of Bledsoe's work has been uncovered, so the remaining head data - as it were - has been filled in by AI software. FAD Magazine is a daily news website covering: Fashion, Art and Design. Paglen’s new interactive live-stream work Octopus (2020) responds to the current moment where periods of isolation, distance, and limitations on travel impact the way society works, interacts with each other, and experiences art. Pictures and details of Trevor Paglen: Bloom at Pace, Burlington Gardens, London, September 10 - November 10, 2020 - Contemporary art with installation views Trevor Paglen: Bloom +44 20 3206 7600 Open: temporary closure Trevor Paglen In this special interview, Monocle’s Augustin Macellari talks to artist Trevor Paglen about his new London exhibition, ‘Bloom’, and reflects on how technology’s complicated systems are shaping our lives. Trevor Paglen: Bloom (#9b746d) , 2020, dye sublimation print, 40½ by 54 inches. 10 September 2020 - 10 November 2020 / Pace London / Art Categories Events, Exhibition / Art Tags Pace London, Trevor Paglen / / / / / Trevor Paglen’s complex and pioneering work examines the systems and technologies that shape society. 1974) is an American artist examining the systems and technologies that shape our world. Thank you, your email has been added to the list. If you continue browsing, we assume that you consent to our use of cookies. Vivid renderings of blossoming flowers, which compose a centrepiece of the show alongside sculptures, drawings and digital components, may lead one to think otherwise, but that would be wrong. We disregard the future. CALL OUT FOR ARTISTS Sculptors in the north wanted for The Liverpool Plinth. Trevor Paglen, Bloom, runs at Pace Gallery, London, from 10 September to 10 November 2020. In contrast to the vanitas paintings of the 15th and 16th century, Paglen plays with these symbolic tropes, bringing them into the present day and addressing new measures of mortality in the digital era such as Zoom, AI, policing, and even such threats as COVID-19. In this special interview, Monocle’s Augustin Macellari talks to artist Trevor Paglen about his new London exhibition, ‘Bloom’, and reflects on how technology’s complicated systems are shaping our lives. Trevor Paglen (b. We managed to have a quick chat with Anil Sebastian ahead of their film’s premiere today Wednesday 28th October 2020 on NOWNESS. Trevor Paglen (born 1974) is an American artist, geographer, and author whose work tackles mass surveillance and data collection. These simple truths resonate through Trevor Paglen’s works. Trevor Paglen: 'I’d go outside and have this overwhelming sense of fear but at the same time I was watching nature explode' How the artist made his new show in the midst of a pandemic. Octopus, meanwhile, is an all-encompassing work allowing visitors to engage with the show through an online portal. Trevor Paglen Bloom (#a8866d), 2020 Dye sublimation print 137.2 x 102.9 cm Pace Gallery Trevor Paglen A Prison Without Guards (Corpus: Eye-Machines) Adversarially Evolved Hallucination , 2017 Dye sublimation metal print Pace Gallery’s second exhibition with Trevor Paglen coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (4th September 2020 – 14th March 2021) and at OGR Turin (10th October 2020 – 10th January 2021). Trevor Paglen's complex and pioneering work examines the systems and technologies that shape society. Trevor Paglen, Bloom (#7a5a4e), 2020, dye sublimation print, 175.3 cm × 233.7 cm (69″ × 92″) © Trevor Paglen, courtesy the artist. New sculptures, drawings and digital components relate to corporate and state use of machine learning algorithms to monitor, extract value, and influence people’s lives. This dataset was created by State Farm insurance to adjust their insurance premiums in real-time, based on that information. A moment that's exposed an intense awareness of the fragility of our lives, cities, and economic and political institutions. About. He has participated in group exhibitions at the San Francisco Museum of Modern Art (2008, 2010, 2018); Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); The Metropolitan Museum of Art, New York (2012); Tate Modern, London (2010), and numerous other institutions. Held both at 6 Burlington Gardens and online at pacegallery.com, Bloom explores Paglen’s central themes of artificial intelligence, the politics of images, facial recognition technologies, and alternative futures. Art news, exhibitions, competitions and lots more every day, Join the FAD newsletter and get the latest news and articles straight to your inbox, deeds to a château in France (Coming 2021), Obvious and RAWS team up to create a new contemporary reinterpretation of parietal art, Pace Gallery to open new 8,600-sq-ft gallery space in central London, Watch Patti Smith Celebrate Biden inauguration with free virtual performance on FAD magazine, The Top 5 Online Exhibitions to see in January. The discreet sanc-tuary of home is no longer certain. Octopus builds on Paglen’s current practice, allowing visitors to engage with his exhibition through a web portal that allows each participant to see the gallery from the viewpoint of cameras trained on various angles of the artworks and the gallery itself. 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